A Published Story and the Lockdown that inspired it

Only a couple days now to Halloween, that day of Ghosts and Goblins when we embrace the dark and macabre aspects of our society more than…well… we already do. A day in which society says it is not only okay to be scared, it is down right expected of us.

And honestly, who doesn’t love a good scary story?

Really any kind of horror story does it for me.

A ghost story? Yeah, that’s fun – ghosts can be pretty scary, and yet because the majority of mainstream society tells us that they simply cannot be real, it’s safe to be sacred of them. There’s a degree of separation from our societal reality and the ghouls on the screen or page. Same goes for Vampires, or Werewolves or any of the other monsters we see children dress up as this time of year.

We might even count the slightly less fantastical horror creatures of serial killers like Hannibal Lector or….I’m sure there are others, but he’d the only fictional one I know off the top of my head. Not to mention the masked killers of the slasher genre. After all, although serial killers do exist and have probably killed a lot of people just like the viewer, the statistic likelihood of you ever meeting one is probably very low indeed. So once again, they’re something scary but separate enough that they don’t seem real for us anymore.

But what happens when the scary thing not only absolutely exists, but is now a daily factor in most people’s realities? That’s right…I’m talking about Lockdown. Which before anyone rips my arms off – not that I think any Wee Reader would, but this is the internet and Trolls abound – I’m not discussing the need or otherwise of Lockdown. Honestly when we’re talking about fodder for fiction, I actually think fear of a pandemic and the fear of isolation and loss of autonomy that can come from Lockdowns, are two different fears entirely. It’s really only happenstance that they often go hand in hand.

However getting back to the actual topic, Lockdown is a thing that has affected and is continuing to affect a lot of people all over the world. People have lost their jobs over it, they’ve been trapped inside their houses – no hope of escape. Psychologically this is really messing with our collective heads. So, when we take all of this into account what we have to ask ourselves is – is this actually a topic we should be making fiction about?

And the answer would have to be, a resounding – of course we should. Not only is fiction a great vehicle to work out and express underlying fears of our realities, but the notion of being trapped somewhere – either by yourself, or with people you’re quickly loosing your patience with, is a fascinating start for really any kind of story. Scary not least among them.

So where am I going with this? Well, stand back in shock because…I’ve just had a new story published! It’s called the Rabbit Hutch and it is a Speculative Fiction about a man that has been trapped in lockdown for thirty years. Ah fiction and reality, how blurred your line has become.

If you’ve enjoyed this advertisement for my new short story – The Rabbit Hutch, please follow the wee blog if you haven’t already and check out my Short Story page, where you should find all my other published stories. Also check me out on Twitter, Instagram, Pinterest, Tumblr, Goodreads and Facebook. Enjoy my story, and until next time Wee Readers have a Happy Halloween and a very bonny day.

Just a brief note before we leave, if you’ve enjoyed this and other posts like it on the Wee Writing Lassie, why not buy me a Wee Cup of Coffee, or drop me a tip over on Ko-fi. Which is linked to the image below.

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7 impertinent questions for Ailish Sinclair

Set in the the late sixteenth century, at the height of the Scottish witchcraft accusations, The Mermaid and the Bear , by Scottish Author Ailish Sinclair – out now in paperback and Kindle – is a story of triumph over evil, hope through adversity, faith in humankind and – above all – love.

Now I know what you’re thinking – well that sounds terrific Wee Lassie, I would really like to read that! But why are you talking about it? Well, never fear my Wee Readers , I shall explain all. Recently I’ve received some very exciting news – fellow Author, Ailish Sinclair, has had her book – The Mermaid and the Bear – published. I was very excited anyway, as I am when any fellow writing Lassie gets her book published – especially when they mention me in the acknowledgements ( buy it and check it out, I’m mentioned under my birth name Charlotte) – and then something occurred to me. Ho, ho, I said, this is something my Wee Readers should know about, after all by your very nature you are readers. So thus, with the idea in place I approached Ailish herself, and formed a plan.

The basic idea for this post was an interview, which is kind of what we ended up with, but with a bit of twist. As we already knew each other, the questions didn’t have to be quite so formal, they could be…down right impertinent even. Okay, let’s start with a Wee Introduction: Ailish Sinclair is an author from the north of Scotland – like yours truly – who was trained as a dancer in London; before returning back up North, where she taught ballet and met her husband. She now lives beside a loch with said husband and two children, surrounded by castles and stone circles, where she writes and dances (yes, still) and apparently eats a lot of cake.

Ailish loves Stone Circles

Her book is refreshingly also set up North in the region of Aberdeenshire, in the late sixteenth century – during a period of our history that’s not often talked about by the wider world, or indeed Scotland itself: the Aberdeen Witchcraft panic of 1597. There’s a real feeling of authenticity when it comes to Sinclair’s writing: from the clear amount of research that has gone into every aspect of late sixteenth century life, right down to the accurate Scottish dialect that many of the characters speak in. I’m not going to harp on too long about this, since it’s neither the focus of the book nor this post , but it’s very rare to find Doric in a modern book – which if you’re like me and live in a place where that’s just how people talk , it’s nice to not be left out for once. Another inclusive detail in Ailish’s novel is the fact that her heroine – Isobell – is a plus sized women, and this is never treated like a problem, or something about her that needs to be fixed, by the narrative. All body type inclusion, yeah!

Alright, enough with the introductions already, on with the impertinent questions.

7. As a fellow Writing Lassie from up here in Scotland, would you say your book has something more, or deeper, to say about Scottish culture than can be found in other books?

I live in Aberdeenshire, where the book is set, and have done so for most of my life. I hope my deep love for the countryside comes across in the narrative, and that I’ve captured the way people speak and behave towards one another here. I had to tone down the local language somewhat to make it easier to understand. ‘Ken fit like?’

6. You’ve mentioned before in other interviews that you become quite intense with your research when you’re writing a Historical Novel. So, my question is, what’s the maddest thing you’ve ever done in the name of research?

Eating primroses? Sliding down dangerous cliff sides in bare feet? Cross examining the poor wardens in St Nicholas Kirk? I’m not really sure about the maddest. The hardest part was knowing when to stop. When is enough information enough? Research could go on forever, but once the story has formed firmly round it, and you know what sort of underwear everyone was wearing, it’s probably time to write the book.

5. Now that you’re getting published, and you can look back on your career with a clinical eye – what would you say was the first moment you felt like a real writer?

I actually think the most precious writing time is well before publication is even being considered. It’s that first draft. Anything is possible then. Fall in love with your story and your characters and they will lead you to all sorts of places you never imagined possible. So, to answer your question: when I was working on the first draft, and wanting to write it ALL the time, rushing home to get back to it, thinking about it ALL the time… that’s when I felt like a real writer.

4. As a confessed recovering Chocoholic, was it terribly difficult to leave the substance out of The Mermaid and the Bear?

Well, I felt deeply sorry for my poor characters that they couldn’t have any chocolate of course, but not so sorry that I withheld it from myself. I have to confess that I am, in fact, not in recovery, and have no intention of ever being so!

3. Your new novel – The Mermaid and the Bear – deals with the long-forgotten Aberdeen witchcraft panic of 1597. By choosing this subject you have brought the voices of women unjustly forgotten by history into the public eye again. What I want to ask is, is there a feminist undertone to your choice of subject matter; and if not, is there some other reason you were drawn to that particular area of Scottish history?

Given that 85% of those accused of witchcraft in Scotland were women, yes, there is definitely a feminist side to the novel. Women supporting each other, standing strong against misogyny, and believing they have the right to aspects of life that were the dominion of men at the time, and even now, do come into the story.

2.Okay, let’s dig a little deeper. If you were put on the spot, like I’m doing to you now, and you were forced to choose a person or persons (plural), that you really admired in that part of history. Who would it be?

Anyone who stood up to oppression and abuse. These people rarely make it into the recorded history of the time, so historical fiction provides scope to write about bravery, love and heroic acts as they might have happened. When bad events occur there are always those who stand strong and true, often among those who are persecuted themselves.

1. Alright final question, and then I’ll let you go. Would you say that the romantic hero of The Mermaid and the Bear – The Laird – resembles anyone you know in real life?

While aspects of his character were inspired by a local historical Laird, my fictional Laird is a little bit like my own husband. I am lucky to be married to a man who accepts people as they are, doesn’t judge anyone on outward appearance, and has an open heart and mind, just like Thomas Manteith!

Ailish Sinclair and Husband
Ailish and Husband house shopping

I love that final answer, it always make me well up – especially if you’ve read her mention of him in the acknowledgments.

If you’ve enjoyed these impertinent questions to the emerging Author Ailish Sinclair, remember to follow my wee blog if you haven’t already, and check me out on Twitter, Instagram, Pinterest, Facebook, and my Tumblr account – or sign up to the Wee Mailing List. However if you’ve also enjoyed the long suffering answers of Ailish herself, remember to follow her wee blog here and sign up to her Mailing List here. Also check her out on Twitter, Instagram, Pinterest , Facebook and Goodreads. And don’t forget to check out the The Mermaid and the Bear, now out on Kindle and Paperback where all decent books are sold. Until next time my Wee Readers, have a bonny day.

Just a brief note before we leave, if you’ve enjoyed this and other posts like it on the Wee Writing Lassie, why not buy me a Wee Cup of Coffee, or drop me a tip over on Ko-fi. Which is linked to the image below.

Buy Me a Coffee at ko-fi.com