Firefly vs. Star Wars: The Language of Competition

What ho Wee Readers, I hope you are all as well as can be hoped for in this desperate time of ours. For me myself, I’ve beaten the deep apathy I developed for finishing a book during the lockdown – and am well on my way to completing my GoodReads Reading Challenge. Please do not check if that is true, until at least a week after you’ve read this post, come on at least give me a chance to back up my lies with some facts.

Joking aside, my recent renewed interest in reading is why I’ve chosen this topic for my Post today. I have just – just being a relative term of course – finished a book called Serenity Found: More Unauthorized Essays on Joss Whedon’s Firefly Universe, which is a book of essays regarding the (at time of the book’s release), ‘recent’ film Serenity, and the show Firefly of which it was a sequel to. Now, before we get into anything deeper, I’d just like to say that I love the show Firefly. I think it’s a brilliantly written thing, with a cast of funny and likable characters. Really the only actual problem I can see with the show, and by extension the film itself is the lack of diversity in both the main cast and the background players. And when I say lack of diversity, I don’t actually mean that they’re all just white people – although let’s be honest in a Joss Whedon run project, that would not have been surprising – there are people of colour in the main cast. Rather, that seeing as it is set in a world where America and China have combined to become one giant space faring society – and part of the show’s world flavor comes from the interaction of Chinese and America culture – it’s strange that there are no Chinese members of the cast.

And it’s even weirded that the narrative doesn’t comment on it at all – in this Chinese inspired world, where are all the Chinese people? Something to think on certainly, but not why we’re here today. No, why we’re here today is the book called Serenity Found: More Unauthorized Essays on Joss Whedon’s Firefly Universe. Which is a very good book, full of essays that are insightful, and filled with interesting points of view on this fascinating world. Unfortunately, we’re not going to talk about that today, no instead we’re going to zero in on one small problem I found both in this book and its predecessor.

Namely, well…

If I asked you to tell me what you liked about something, say a particular work of fiction, or what you thought made it such a fascinating story – how would you answer that question? Would you tell me about your favourite character, how you were drawn to them? Would you tell me about the dialogue, and the general writing of the story? Might you even tell me about the themes, and what you thought the message of the tale was? All good things, that if I asked that question, I clearly want to know your oppion on. But you know what I don’t want to hear…

“Well, unlike [entirely different piece of fiction that in no way relates to the one I ask about] …”

Basically, if I buy a book of essays about ‘Firefly’ or its film ‘Serenity’; then I clearly want to hear the authors oppion on those two works of fiction – what I did not pay for, were the authors oppions on Star Wars, Star Trek, Stargate SG1, or any of the other dozen or so shows they whined about. Now don’t get me wrong I love Star Wars, see my previous posts on the subject if you don’t belive me:

Disney: Whoops – or the re-examination of the Duchess Satine in context of Mandalorian Creed Culture

Palpatine: A Villain through the Ages

The Great Star Wars Lockdown Binge

I love Star Trek – the majority of their shows, anyway.

And I have no strong oppion on Stargate SG1 whatsoever.

They just weren’t why I bought that book.

Now all these essays were written by intelligent people, who had clearly thought out and carefully structured their argument to the full height of effectiveness. And yet time, and time again we get paragraph after paragraph explaining why Firefly is good, not simply because it is a well written piece of art – but because it is better than other pieces of art. In a sense we cannot truly see (or at least discuss) Firefly’s brilliance, without first illustrating why everything else is stupid.

We cannot speak about its strong female characters, and how great it is that they are allowed to be both strong and feminine, without first delving into why Stargate SG1 did not do this.

We cannot speak about the cleverness of the character’s banter, and Firefly’s humour – without first asserting that ‘Star Wars’ has no humour whatsoever. (A fact that was not true in the 1970s, and is still not true now).

We cannot speak about the depth of the characters, and the skill that must have gone into writing them – without first clarifying characters on Star Trek mount to little nothing but their job title. And if you think differently than clearly, you’ve just been tricked by a good actor.

Is this starting to sound annoying, or repetitive – good because that’s how I felt reading it. Now, I know what some of you might be thinking – Wee Lassie, aren’t you over reacting? Sure, it’s annoying for an essay to go out of its way to insult more than one of your favourite franchises, but aren’t they just discussing the market? Showing the reader where ‘Firefly’ and ‘Serenity’ stands in the great tapestry of Science Fiction? What, in a sense makes it stand out? And while I wouldn’t say that’s necessarily wrong – it felt more than that reading it.

It felt like Firefly couldn’t just be a good show, worth watching – it had to be better than everything else. Otherwise, it was nothing at all.

It felt like they weren’t just critiquing bits of other Science Fiction – but tearing them down, so Firefly could be built up in their stead.

Sure, in most ‘social worlds’ competition can be healthy – even in the market of Science Fiction. But my question is, at what point are we taking it too far? At what point are we competing not because we want to grow and succeed as people, or creators, or what not – but because we simply have no other way to communicate? At what point is it no longer enough for something to simply be good in of itself to be worth something?

And this attitude is evident in not just Science Fiction communities – but our wider culture as well. Think of any piece of popular culture, media, or online discussion that tries to be ‘feminist’ by implying that woman are innately better than men. Usually because men are depicted as stupid, or simple, or lazy, or just not as good as the fabulous women in the show/film/ anecdote. Don’t look at me like that, we’ve all seen something like this at least once in our lives.

But this I would like to point out is not actual feminism, because real feminism is about lifting people up to be on an even keel with each other; not tearing them down. There’s another word for that, but it’s not feminism. This notion – that to be a proper feminist property your female characters have to be superior in every way to their male counterparts – is an innately sexist one, really on both sides of the supposed gender wars. On the male side, it shows young boys that they don’t have the right to be respected, even if they’re good people. While on the female side, it heaps untold pressure onto young girls – to not only succeed in the specific way our culture deems appropriate, but to outcompete their male co-workers. It is no longer enough to be a strong and successful woman, now they have to be stronger and more successful than men (their competitors) – otherwise they haven’t accomplished anything at all.

And there’s that same notion again – the notion that if there are no losers in this game of life, how can there ever be winners?

This is not an indictment of competition in of itself – sometimes it is good to push ourselves to strive to the standards of others in our field. Rather it’s the indictment of the filter of competition, or the language of it. That is when the only way our society can express approval of a work of art, a political movement, a real living human being, is through putting down someone or something else. Has our world view become just a little skewed? Do we really have no other way of viewing or describing our world, but by these kill or be killed standards?

But what do you think? Am I blowing this all out of proportion? Part of me hopes I am – but I’ve seen people go ballistic with the Star Wars vs. Star Trek debate, so I don’t really think so. Let me know down in the comments, its why I have them in the first place.

If you’ve enjoyed this wee rant of mine – much shorter than usual, but that’s not always a bad thing – why not follow the Wee Blog if you haven’t already. Also check me out on Twitter, Instagram, Facebook, Tumblr, Pinterest and Goodreads for all that good stuff. And don’t forget to sign up to the Wee Mailing list by the 21st of December for a special Christmas-themed addition of the Newsletter. Until next time Wee Readers, stay safe, stay strong and a have a very bonny day.

Memories of a 2019 GoodReads Challenge: or, the top ten books to read while you’re social distancing

What ho Wee Readers, how are you all doing? Are you trapped at home in quarantine? Or practicing social distancing to protect yourself and or your family? Yeah, my Mum’s got a damaged lung, so I’m right there with you. At times like these the world can seem a terrifying place, almost overwhelmingly so – and I find the best cure for such depressing thoughts, can be found in the pages of a good book.

Wow, that was a far more depressing opening than I thought it would be. Anyway, if you’ve been following my Goodreads account, then you’ll know that I really enjoy their Reading Challenge. At the beginning of 2020, I challenged myself to read a hundred books, which is quite a step up from the thirty I read in 2019. I’m well on my way to completing this year’s challenge, so I’d just thought I’d take a look back at my favorite reads of last year, to try and forget about this year.

10. Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly

This is a collection of essays about the cancelled tv show Firefly, one of two I read over the course of 2019 – though by far this is the superior volume. Mainly because unlike its sequel, it didn’t go on and on about how not having aliens in it made Firefly the greatest sci-fi show ever to exist. Or sneering at the notion that anyone would ever put an alien in their space fiction, let alone actually believe in life on other planets. Which, as someone who is patiently waiting for the mother-ship to return, I find slightly offensive. Anyway, you won’t find any of that nonsense in this book – at least, none that I can remember.

9. Jeff Wayne’s The War of the Worlds: The Musical Drama

So…Michael Sheen’s voice…wow. Anyway, back on topic…I started this post quite a while ago, and then got pulled away to write another essay (I know I’ve said that before, but it’s not just an excuse, it really is what I’ve been doing all this time) and during that interval the world kind of…exploded. Basically, we somehow woke up one day and found ourselves living in a dystopian novel, which is…well…bad whatever, but if it was going to happen, why couldn’t it be ‘The War of the Worlds’ instead? Look I’m not trying to be crass here, I’m well aware how terrible the coronavirus, the mass panic buying of loo roll…for some unexplained reason…and well everything the British government has been doing lately, is. All I’m saying is that I would rather watch Boris Johnson be disintegrated by a Martian, than worry about the bloody coronavirus.

8. Coffee at Luke’s: An Unauthorized Gilmore Girls Gabfest Edited by Jennifer Cruise

So, this is a thing. Rather like the first book on this list, this is a collection of essays; except this time on the topic of Gilmore Girls. Gilmore Girls is one of those shows in which I have a… complicated relationship with. On the one hand I loved the original show, and yet like many of you out there I found the revival lacking in the charm that made the original so appealing. Also, the characters were all awful, and by that, I mean they were all awful people. Where they like that in the original, I don’t remember that. Still the book is well worth a look, even for the most disappointed of Gilmore Girls fans, and I highly recommend it for anyone who enjoys digging deeper into their favorite shows.

7. The Silmarillion by J.R.R Tolkien.

J.R.R. Tolkien’s least enjoyable book…there I said it. I’m of two minds about this book, on the one hand nowhere else is J.R.R. Tolkien’s genius most evident, and yet the only way to describe how I manged to finish this is: with great difficulty. Whether or not you enjoy this book really depends on how much you’re invested in the Elves as a people – for you see The Silmarillion is not just the history of Middle-Earth, it’s the History of Middle-Earth as told by the ruling class of Elves. It’s why we never really get a look into the other races unless they’ve had direct contact with the elves. Notice how it’s only the men who live under the Elves sovereignty who are in anyway explored in a meaningful way. This isn’t the story of Middle-earth but rather how the elves perceive it. And nowhere is this more apparent than the story of the petty Dwarves. The petty dwarves were a diminutive race that lived in the continent of Beleriand (the north most tip of middle-earth) during the first age (or at least round about that time, Middle-earth calendars are a lot less straightforward than you’d think). In fact, they were the first people to live in Beleriand, even before the elves – and what did the elves do when they got there? Come on, we all live in a post-colonist world, you know what they did. That’s right, they massacred them…hunted them for sport actually. Claiming all the while that they thought they were animals. While they do stop doing this once they meet the larger dwarves, and realize the creatures they were gleefully slaughtering – which had worn clothes, and held weapons – were not in fact a strange kind of boar. However, they don’t actually seem to feel guilty about what they’d done. In fact, the text itself implies that the petty dwarves had it coming, because they were…unpleasant, and didn’t like anyone. My Valar of the Forge and Earth, why would a people that have been hunted to near extinction, and smeared in the history books, not have a sunny disposition? Madness, don’t they know that the feelings of their murders come first above all things.

Yes, I am a Tolkien nerd, why do you ask?

6. Last Shot: A Han and Lando Novel by Daniel Jose Older

They should have let the cooking robot kill Ben Solo. Out of context that sentence sounds like nonsense, doesn’t it? But trust me, after you read this book, you’ll know what I mean. Anyway, getting down to business. Despite my first impressions of the film I can freely admit that ‘Solo’ is by far and away probably one the weaker members of the Star Wars franchise. Many people have tried to pinpoint the exact reason for this – raging from the sensible to the outright ludicrous – but I have come to the conclusion that ultimately, it was the pacing that let Solo down. Namely, it was originally supposed to be three films, but got squished into one for…some reason…and you can really tell. Despite this, the film had many positive qualities, not least among which was being the only film to note the cruelty many heroes casually throw at droids – I mean it didn’t do it well, but at least it mentioned it. Last Shot is everything Solo should have been: it explores Han Solo’s past but only so much as it pertains to the story, and it gives characters that had previously been killed off before they could do anything more than snark a chance to shine. And most of all, droid abuse and activism was made a central theme and story plot, rather than just something to be giggled at.

5. Big Little Lies by Liane Moriarty

The book is better than the show. Yeah, I’ll say it, the show was needlessly dark and depressing and… that second season, oh my god, did I hate that second season. I couldn’t even watch it to the end. Look I know both the book and the show cover heavy topics that need to be taken seriously, like abuse, possible murder and body issues, but somehow the book was able to do that without making every single character completely unlikable. I mean what was with that story-line of Madeline cheating on Ed? She didn’t need more drama in her story, her book story-line was dramatic enough and unique. It wasn’t just another copy and paste affair arch. In conclusion, read the book and skip the show.

4. Revenge of the Sith by Mathew Stover

I love this book. I’ve read it more than once, more than thrice really, and each time it just gets better. A common trend when praising this book, is to imply that it vastly improves upon the original film. However, I’m not going to say that, because quite frankly not only is that kind of petty prequel hate repugnant to me in every way but, I found nothing to hate in the original film. In fact, it’s one of my favourites. What I will say is Mathew Stover’s take on the fall of Anakin Skywalker and the rise of Darth Vader is interesting and new, not better just different – but I found his description of the force, particularly how Obi-Wan experiences it, the most fascinating I’ve ever encountered in any Star Was franchise media, films included.

3. Snape: A definitive Reading by Lorrie Kim

Awesome, just awesome. Severus Snape is the essential base-breaking character. You either love him or loathe him, there doesn’t seem to be any neutral ground on this issue, but that doesn’t matter because Snape a Definitive Reading is the book for both sides of the argument. Whether you love him and want a conformation of why he is so awesome, or you absolutely hate him, but want an insight into what all your crazy friends see in him, this is the book for you.

2. Room by Emma Donoghue

I love this book. I was so, so about the film – since as a visual medium it lost much of the magic that was Jack’s misunderstanding about his situation in the beginning of the story – but the book was fantastic. Now I’m assuming, Wee Readers, that each of you fall into one of two categories. Either you’ve already read this book/watched the film, and know each of the ins and outs of the story, and therefore don’t need me to tell you what you already know; or you have no idea what I’m even talking about. In which case I don’t want to ruin the story for you. So I’ll just say this, if you’re stuck at home at this strange time, pick up a kindle or audible version of this book, sit back and enjoy.

1. The Mermaid and the Bear by Ailish Sinclair

Speaking of good books to read while you’re waiting out the coronavirus. This is, and I don’t think I’m overstating this, the best book published in 2019, hands down. If you’ve been following my blog for a while – hello early Wee Readers – you’ll remember I interviewed the author herself a few months back. If you’re interested go check that out here, or Ailish’s own blog here. There now the plugging is done, onto the real talk of the book. Without giving away the end – because as we all know, only gypes give out spoilers on the internet – this a book that will not end how you think it will. Whether you are a fan of sweeping Romance, accurate Historical Fiction, Heroines that aren’t a size two, or like me an accurate portrayal of a Scottish accent… this is the book for you. Trust me, Wee Readers, you will not be thinking about the coronavirus while you’re reading this book. Seriously go out and buy this book.

If this wee post has distracted you at all from the ongoing dystopian narrative, we’ve all somehow found ourselves living through, then don’t forget to follow the wee blog if you haven’t already. Also check me out on Twitter – where I am hilarious – Facebook, Pinterest, GoodReads, Tumblr and Instagram. Also check out my Wee Mailing List ,for brand new content. Until next time my Wee Readers, have a bonny day.

Just a brief note before we leave, if you’ve enjoyed this and other posts like it on the Wee Writing Lassie, why not buy me a Wee Cup of Coffee, or drop me a tip over on Ko-fi. Which is linked to the image below.